Monday 22 August 2011

Invictus

I had to double-check halfway through this film: was it really directed by Clint Eastwood? There is so much potential in the material, cast and director, I can only think it was a very rushed production. It is a big disappointment. The great lines and speeches are delivered robotically, without any real conviction. The film isn’t about any one thing. It tries too much and too little. A film centred around Francois Pienaar might have been better, having only glimpses of Mandela, but there were greater problems than just this. It is as if the writer(s) was too afraid to elaborate, or imagine anything new at all. Like all biographical and/or historical films, the writer has to create artificial highs and lows, sometimes exaggerating what took place, or emphasising certain issues that perhaps weren’t important at the time. Otherwise you end up with this: a flat, unexciting picture. There were moments of great potential, such as the confrontation between Mandela’s security guards and the old, white presidential security team. But nothing is ever delivered, no arguments or speeches, nothing happens and the confrontation peters out and ultimately falls flat. What is more, the film is about Mandela alone for a good while before we see anything about rugby, as if they were afraid to make a sports movie. Then, towards the end of the film, the rugby takes over almost completely, large amounts of time are dedicated to the game, with no dialogue given. The complexities, tension and excitement of the final are attempted in brief highlights (for someone like me who enjoys rugby I found it hard to follow). What was a great match was drained of its enjoyment, rather than being emphasised, and there are awful lines of exposition, characters explaining to other characters something they obviously would have known (for example, the basic format of a knockout competition). More use could easily have been made of the poem, which gives the film its title. Instead we only hear a mumbled narration of it by Morgan Freedman. This is one of those mysteries in the film world – everything is in place for it to be a good, Oscar winning movie, and yet it fails. It is important to learn some of the lessons as to why.

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