Tuesday 18 May 2010
Rendition
This film bases itself on a real story, or rather a real situation, but most of what happens is fictional. Whilst perhaps unfair to the real persons involved, I think it's a good approach that could've been adopted with some other films. It allows the writer to stay true to the essential dilemma, but be able to create the drama around it to fit the pace of the movie, rather than real life. Jake Gyllenhaal works for the CIA in North Africa, where a suicide bomber has recently attacked. A man is arrested on a flight to America for the bombing, flown back to North Africa, imprisoned and tortured there, without trial. Reese Witherspoon plays the man's wife, and Meryl Streep a senior figure in the CIA. It's Jake Gyllenhaal, though, that steals the film here, and the whole plot could've easily centred on him alone. As it is, we are given two or three sub-plots, one of which at least must be unnecessary. The most interesting aspect of this film, though, which will ruin it for those of you who haven't seen it, is the time-shift that occurs towards the end. It's a very neat device which ties everything together, but looking back on it once the credits started rolling, I began to worry. What does it add except suspense? Did it mean something to the story (like the device in Memento did)? Do we even need that story line at all? The film does its job well, is harrowing and dramatic, but could easily be seen to be quite perfunctory, leaving several threads hanging at the end.
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